The Hyperboreans and Their Connection with Apollo

Apple Tree in Blossom by Larsson (before 1919)

In the 5th century BCE Herodotus wrote of the Hyperboreans, a word which literally means “over Boreas”. Boreas is the Hellenic God of the north wind, sometimes conceived of as living in Thrace, which is more or less the land we now call Bulgaria. Herodotus described the Hyperboreans thus:

“A man of Proconnesus [a Greek town in modern day NW Turkey], one Aristeas … came to the Issedones [ancient people who lived in central Asia] and, being inspired by Apollo, wrote a poem in which he declared that above the Issedones there lived a tribe of Arimaspians, being men with one eye, and, above these, the griffins [birds sacred to Apollo] that guard the gold, and, above these, the Hyperboreans, whose land reaches to the sea. All of these people, beginning with the Arimaspians and excepting only the Hyperboreans, continually make war upon their neighbours. The Issedones, say Aristeas, were thrust out of their lands by the Arimaspians, the Scythians [ancient people who lived in and around Crimea] by the Issedones, and the Cimmerians [ancient people who lived north of the Caucasus], living by the southern sea, being hard pressed by the Scythians, also left their country …

Demons in Buddhism

Demon Priest by Tawanabe Kyosai (1864)

I have been a little obsessed with demons for a while now, mostly in terms of wanting to understand their fundamental nature. I strongly suspect that many of the deities we call demons are actually deities of rival pantheons, and the process of “demonisation” is designed to strengthen the legitimacy of one religion over another. It may even be that some neglected deities become wrathful and seemingly demonic (while others leave desecrated locations or just lose interest in humans). I tend towards believing in voluminous polytheism, by which I mean there are many types of deities, and some of them really are demonic, as conventionally understood.

I recently watched a horror movie called “Incantation” (original title: “Zhou”) – I didn’t enjoy it but was genuinely spun out by it afterwards and thought about it for weeks. The effectiveness of the film was that it used Buddhist themes and turned them upside down, so that instead of Buddhist practice and iconography being benevolent (which is what I have associated with Buddhism my whole life – I was raised as a Buddhist) it delved into the world of curses and demonology. When I sat before the Mandala on my shrine to do some chanting I was reminded that demons are depicted on it – in particular Mara, Hariti and the Ten Demon Daughters. The reason for this is that the Mandala represents the universe in its entirety. I have also heard it said that the Mandala I pray before (called the Gohonzon) is a mirror – and a mirror does not show you only the things you want to see, but everything in you, including the potentiality to become demonic.

Venus and the Path

"Choosing the Rose" by Portaels (1860s)

Any spiritual tradition that venerates motherhood is operating in accord with the regenerative aspect of nature. When we look at the most prominent Gods of ancient Rome we see what aspects of nature they revered most: Venus and Mars – thus love, fertility and virility (Mars is not only a God of war but also agriculture). To get these very fundamental things right is to light the path to success, though it’s clearly a path on which many descendants of Europa have lost their way. It is not so much that we are not sexually active but that too few of us are in long term relationships.* This not ideal, as a tale from Ovid’s Metamorphoses demonstrates:

“The Propoetides – fools who denied Venus divinity – she stripped off their good names and their undergarments, and made them whores. As those women hardened .... their features hardened like their hearts. Soon they shrank to the ... heartless, treacherous hardness of sharp shards of flint.