03 February 2015

Contemporary Shrines

Here follows a celebration of contemporary shrines

My Lararium / household shrine, particularly dedicated to the household Gods, Mercury and Venus


Lararium of Lucanus, a Roman Pagan/polytheist from near Washington DC (Mercury depicted)

25 January 2015

Apollo – Healing, Music and the Sun

Copy of the Apollo Belvedere (2nd century CE)
Apollo’s cult in Rome
In both the Roman and Hellenic pantheons Apollo is the God of healing (and illness), light, music, poetry and prophecy. The ancients often identified Apollo with the sun itself and thereby twinned with the moon, thus Diana. In this guise he may be known as Sol, Phoebus or Helios. Popular mythology designates him as the son of Jupiter and Latona, though Cicero records that in ancient times there were multiple myths in relation to the Gods – some with which we are no longer familiar.  For example, by one tradition Minerva is the mother of Apollo and by another his father is Vulcan. Despite conflicting mythologies, ancient authors agree on his fundamental attributes. Foremost, at least in the Roman pantheon, he is a God associated with healing, good health and protection from disease (Beard et al; Turcan; Warrior). The earliest evidence we have of his worship in Rome dates to the 5th century BCE, when an appeal to heal a pestilence and a vow to honour him with a temple was made – though we know he was worshipped in Pompeii since at least the 6th century BCE. By the 3rd century BCE Ennius listed Apollo as one of the Dii Consentes, ie, one the major Gods of Rome, and coinage bearing his image was minted. His cult became even more celebrated during the reign of Augustus, who especially promoted Apollo, inter alia, by dedicating a magnificent new temple to him on the Palatine Hill where the Sibylline books came to be kept. More than this, Augustus specifically identified himself with Apollo in various ways. When he was a young man he famously dressed as Apollo at a lavish party. In his war with Mark Antony he credited Apollo’s favour as the reason for his victory. A myth even arose that he was the son of the God, as recorded by Suetonius:

09 December 2014

Minerva – Skilled Thought and Action

"Perseus Armed by Mercury and Minerva" (detail) by Bordone (c.1550)
Minerva is the Goddess of skillfulness and industriousness, or, to put it another way, Minerva is the divine spirit (numen) of skilled action and skilled thought. Caesar describes Minerva as she who “bestows the principles of arts and crafts”, and so she is the patron Goddess of any profession associated with skilled workmanship, thus carpenters, painters, sculptors, teachers, health care workers, shoemakers, anyone associated with the textile industry, indeed any artisan. Propertius describes Minerva as the Goddess of the chaste arts, and Cicero, Tibullus and Horace all refer to her as a chaste, or maiden, Goddess. Horace calls her “industrious”. She also has another significant aspect, a martial one. Ovid tells us that “fierce wars are waged by Minerva’s hands”, and calls her the “armed Goddess”  who likes “unsheathed swords”. Thus in iconography she is typically identifiable by her helmet. Though Mars is the God of war, he is more commonly associated with the bloody violence of war, whereas Minerva is associated with military strategy (skilled thought leading to skilled action), without which no war can be won.

16 November 2014

The Gods of Misery

"Nott" (Germanic Goddess of Night) by Arbo (19th century)
When misery comes at first one struggles against it. One tries to make things right, shake it off, force a smile, rise above it all and be kind and open hearted. Then hour by hour and day by day one somehow forgets how to be happy. Dull resentment, a sense of isolation and a sort of hopeless surrender to melancholia entrenches itself. One stops trying … and one stops crying. At this point one is lost in misery – yes, Gods of darkness and depression, it is easy to have faith in you.

But who are these Gods? To start off with we acknowledge that any God that can give a blessing can take that same blessing away – thus, for example, Apollo is the God of both healing and disease. In a similar vein, Ovid tells us that ancient Roman farmers made offerings to the God of wheat leaf rust, Robigo, not because they wanted Robigo to visit their crops, but to persuade her to stay away from them. It follows then that if we honour the Gods of misery, perhaps we can placate them, perhaps they will leave our sides sooner, though some of us, let’s be honest, take some kind of enjoyment in their company, lugubrious though it is.

27 October 2014

In Praise of Venus

"Venus healing Aeneas" by Blondel (19th century)
In Greco-Roman mythology only Venus has the power to disarm Mars, whom we associate with violence, or to sooth Vulcan’s destructive and potentially life extinguishing fires. Even today, the white doves of Venus are the foremost symbol of peace. Venus also shared her love with the quick-witted Mercury and thereby bore he whom we think of as the masculine aspect of love  Cupid. Interestingly in Germanic mythology we see a related pairing – Woden, God of wisdom (equated in ancient times with Mercury), is paired with Frija, Goddess of love – surely Venus in another guise. It seems to me that when the two Gods merge we find the highest state of being arises – the Buddha himself said that wisdom (prajna) and love (maitri) are conjoined paths to enlightenment.

24 September 2014

Germanic Pagan Lego

Here follows a Lego tribute to the traditional Germanic Gods. The Gods depicted immediately below are meant to depict (from left to right): Heimdall (with a red shield), Freyr (horned), Freyja (in purple), Thor (with red hair), Loki (in the back), Odin (bearded), Skadi (blue shield) and Tyr. Of course there are many more Germanic deities than this.*
Source: brickshelf.com

23 August 2014

Paganism for Children

Goddess of wild animals, forests, the hunt and the moon -
Diana / Artemis, by xx12taylorxx.deviantart.com
This post is devoted to helping older children to understand what Paganism is. Pagans have a wide range of views and not all Pagans will agree with everything written on this page – which is fine. Paganism  embraces an open, not a closed, view of the world and can incorporate a wide range of different beliefs and practices – which makes it both very wonderful and very hard to describe. I have attempted to not use too many complex words, so that everyone can easily understand it – and disagree with it, if they want to.

What Paganism is
Paganism means different things to different people, but the one thing that almost all Pagans agree on is that the natural world includes sacred, or divine, forces and that it is good to show respect for the sacred forces, or spirits, that exist in nature – because as humans we are part of nature. When we show respect for the natural world we show respect for ourselves and the entire universe in which we live. Many Pagans understand that the most powerful divine forces of nature are Gods – which includes Goddesses. By tapping into the power of the Gods we can improve our own daily lives. As the Gods are powerful they can help us achieve the things we want.

17 August 2014

Messenger Animals as Omens

An owl in England (source: neo polytheist)
For me, being open minded about the potentiality of omens is part of polytheistic practice – omens being signs from the Gods indicating their will, favour or disfavour, as well as being divine signals indicating present or near future auspiciousness or inauspiciousness. In ancient Rome divination of omens could take any number of forms but the most common methods included observing the manner of the flight of birds; observing the way that birds ate; studying the state of the internal organs of sacrificial animals (haruspicy); analysing one’s dreams, and being alert to the import of unusual natural phenomena (Shelton at 375; Turcan at 15; Kamm at 83-84). Tacitus records  that as well as the casting of lots, which appears to be an early form of reading the runes, the following means of divination were common amongst the ancient Germanic tribes:

09 August 2014

Salus – Health and Well Being

"Hygieia" (the Hellenic Salus) by Klimt (1900)
Salus is the Goddess of safety, health, well being and, according to some translations, salvation. If we think of the English word deriving from her name – salubrious – we get an idea of who she is. The Arval Brothers, priests in charge of public sacrifices made for the well being of Rome, prayed and made offerings to her not just for the safety of the city of Rome but also for the health and fertility of the entire Roman community, including its animals and farms (Beard et al, Religions of Rome: Volume 1 at 52). The Nones/fifth of August was the day on which she was honoured most, with circus games and the public sacrifice of a cow (Beard et al, Religions of Rome: Volume 2 at 73). She was revered from at least as early as the 4th century BCE, with her temple on the Quirinal Hill being founded in 302 BCE (Rüpke, Religion of the Romans at 55). In the 4th century CE her temple in Rome still stood – despite being twice hit by lightning, in 276 and 206 BCE, and damaged by fire in the 1st century CE (and then restored) – and she appeared on Roman coinage up until the reign of the Christian emperor Constantine I (Rüpke, A Companion to Roman Religion at 162; Platner, A Topographical Dictionary of Ancient Rome). In her public aspect she was known as Salus Publica and even Salus Augusti – for during the imperial era the well being of the emperor was equated with the well being of Rome as a whole (Lipka, Roman Gods at 95). Another title was Salus Romana – Ovid briefly mentions that an offering should be made to her, alongside Janus, Concordia (Goddess of peaceful agreement) and Pax (Goddess of peace), on 30 March (Ovid, Fasti, Book 3). It may be that the three Goddesses shared a temple founded on that date (Boyle and Woodard’s notes to the Penguin edition of Ovid, Fasti at 229); at the very least we know there were statues of these Goddesses in Rome, erected by Augustus (Wiseman’s notes to the Oxford World’s Classics edition of Ovid, Fasti at 136).