The object of veneration in Nichiren Buddhism is the Gohonzon, a sacred mandala which practitioners are encouraged to chant in front of twice a day. Nichiren Buddhism originated in Japan in the 13th century and is now practised worldwide, particularly (when outside of Japan) by members of the Soka Gakkai International (SGI). Members of the SGI receive a Gohonzon when they join the organisation. They then enshrine the Gohonzon in a Butsudan (a small cabinet for housing sacred objects) in their homes.
The images on the Gohonzon consist of beautiful Chinese-Japanese calligraphy representing many things, including important deities. Most of the Gods on the Gohonzon refer to ancient Indian Gods, thus in attempting to understand the nature of these deities I have looked to their Roman equivalents. Given that these deities have a shared Indo-European origin this approach seems suitably viable. Using the interpretatio Romana the major deities represented include Dis Pater (top left), Neptune (top right), Venus / Cupid (centre left), Aurora, Diana, Jupiter, Apollo, (middle centre), Vulcan (centre right), Juno (just below the middle), Ceres (lower left), Mars (left of the lower middle), and Mercury (lower right).
Nichiren wrote that the Gohonzon “was revealed in the last eight years of the fifty that the Buddha preached in this world”, and states that others, such as T’ien-t’ai (a renowned 6th century Chinese Buddhist), “perceived it in their hearts, but for some reason never put it into words”. In a letter to one of his followers Nichiren wrote that the Lotus Sutra:
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"A miracle saving Nichiren's life" by Keishu (early 20th century) |
“... itself and the commentaries of T’ien-t’ai and Miao-lo [a renowned 8th century Chinese Buddhist] explicitly state that the Gohonzon will appear after 2000 years have elapsed following the Buddha’s passing, in the first 500 years of the Latter Day of the Law …
I was the first to reveal as the banner of propagation of the Lotus Sutra this great mandala … This mandala is in no way my invention. It is the object of devotion that depicts Shakyamuni Buddha [the original Buddha from northeastern India BCE] ... seated in the treasure tower of Many Treasures Buddha [a celestial Buddha of the east] ...
Thus the five characters of the Lotus Sutra’s title are suspended in the centre, while the four heavenly kings [the Lords who serve the God Shakra / Indra, and protect the four corners of the world] are seated at the four corners of the treasure tower. Shakyamuni, Many Treasures, and the four leaders of the Bodhisattvas of the Earth are side by side at the top ...
Without exception, all these Buddhas, Bodhisattvas, great sages, and, in general, all the various beings of the two worlds and the eight groups who appear in the Introduction chapter of the Lotus Sutra dwell in this Gohonzon. Illuminated by the light of the five characters of the Mystic Law, they display the dignified attributes that they inherently possess. This is the object of devotion.
This is what is meant when the sutra says “the true aspect of all phenomena” … Therefore, this Gohonzon shall be called the great mandala never before known; it did not appear until more than 2,220 years after the Buddha’s passing.
A woman who makes offerings to such a Gohonzon invites happiness in this life, and in the next, the Gohonzon will be with her and protect her always. Like a lantern in the dark, like a strong guide and porter on a treacherous mountain path, the Gohonzon will guard and protect you …
Never seek this Gohonzon outside yourself. The Gohonzon exists only within the mortal flesh of us ordinary people who embrace the Lotus Sutra and chant Nam-myoho-renge-kyo …
Since Nichiren’s disciples and lay supporters believe solely in the Lotus Sutra, honestly discarding expedient means ... exactly as the Lotus Sutra teaches, they can enter the treasure tower of the Gohonzon. How reassuring! Make every possible effort for the sake of your next life. What is most important is that, by chanting Nam-myoho-renge-kyo alone, you can attain Buddhahood … [from a letter written by Nichiren called The Real Aspect of the Gohonzon]”